Print Run Podcast
A podcast by Erik Hane and Laura Zats
179 Episodes
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Episode 134—The Letter
Published: 7/14/2020 -
Episode 133—Weird, Weird Summer
Published: 6/23/2020 -
Episode 132—Pressure Points
Published: 6/10/2020 -
Episode 131—Welcome to the OmergerdVerse
Published: 5/27/2020 -
Episode 130—The Bookstore at the End of the World, featuring Genay Jackson and Wynne Kontos
Published: 5/12/2020 -
Episode 129—VAMPIRES BACK
Published: 5/5/2020 -
Episode 128—“Am I Good Enough?”
Published: 4/21/2020 -
Episode 127—Publishing’s Pandemic Response
Published: 4/7/2020 -
Episode 126—Socially Distanced
Published: 3/24/2020 -
Episode 125—Print Run Live, featuring Eric Smith!
Published: 3/10/2020 -
Episode 124—Publishing About Publishing
Published: 2/25/2020 -
Episode 123—Work Life
Published: 2/18/2020 -
Episode 122—American Dirt
Published: 1/28/2020 -
Episode 121—Every Item on the Menu
Published: 1/14/2020 -
Episode 120—RWA, and What Writing Institutions Should Be
Published: 12/31/2019 -
Episode 119—The Holiday Party
Published: 12/17/2019 -
Episode 118—The Decembosode
Published: 12/10/2019 -
Episode 117—The One Before Thanksgiving
Published: 11/26/2019 -
Episode 116—Hope, Risk, and Tinfoil
Published: 11/12/2019 -
Episode 115—Doing Some Swears
Published: 10/23/2019
Print Run is a podcast created and hosted by Laura Zats and Erik Hane. Its aim is simple: to have the conversations surrounding the book and writing industries that too often are glossed over by conventional wisdom, institutional optimism, and false seriousness. We’re book people, and we want to examine the questions that lie at the heart of that life: why do books, specifically, matter? In a digital world, what cultural ground does book publishing still occupy? Whether it’s trends in the queries from writers that hit our inboxes or the social ramifications of an industry that pays so little being based in Manhattan, we’re here for it. Probably to laugh at it and call it names, but here for it nonetheless. Print Run is the happy-hour conversation after a long day at a catalog launch; it’s the bottle of wine you drink most of on a Tuesday when the manuscripts are no good. We’re for writers, for publishers, for anyone who’s opened a book and wanted to know—really know—what goes into getting the damn thing made. Join us. We’ll talk about the worst sex scene we’ve ever read and wonder aloud about how millennials will affect the books of the future. We’ll figure out why Jonathan Franzen wants to replace your child with a penguin and whether or not that penguin will be buying hardcovers when he grows up.